Joyce Wieland Movies

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this...

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

Home movies shot on Super 8mm by W+B Hein over 10 years.

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.

Various unrelated vignettes, often juxtaposing sound and image.

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in...

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...

"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights...

“This film is against the corporate military industrial structure of global village.”

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my...

A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera...

About a strike in which women are involved, but told in a very different way.

A cat eats its methodical way through a polymorphous fish.

One of Joyce Wieland's earliest works, shot in 8mm and finally blown-up to 16mm, “Larry’s Recent Behaviour” has been described by...

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

Patriotism, Part One depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet.

The film 1933 made between 1967 and 1968 offers a street scene shot in New York City in the late 1960s from a loft window on the second floor.